Artist: Adriel Jeremiah
Title: (Working title) None
(The alt text for the sight impaired:)
There is a human left hand, of a male, hovering over a print of black and white.
Hovering over what looks like a vista, but one that has never been seen before, by human eyes.
The Vista is much larger than the largest stadium anywhere on the Earth.
The 'eye' questions whether or not, if in fact, this vista is a very small place, magnified very large.
Horizon line is visible at the bottom 2/3 of the image.
Beyond the horizon is gray, like a cloudless sky.
There is no ground at all but what looks like shards or plates of ceramic with ornamental flowers in three dimensions that extend from the plates surfaces.
Hundreds of thousands if not millions of plates lined up in rows extending out to where infinity touches the horizon.
There is no surface we must be hovering ourselves inside the image.
Looking down the plates beneath our feet look like they are merely the tips of very tall mountains and that we are a thousand feet above them.
Above us is a shape that has no equal in normal life.
The shape appears to be blades, curved like the wings of a butterfly opening towards us.
And behind that row of bladed wings is another row, and behind that another row, and behind that another row.
Maybe we are underneath a large machine whose purpose is similar to a lawn mower of some kind.
But there are so many blades...and each one is ordained by a flower-like shape in 3D, extruded similar to the frosting that is applied to a wedding cake and shapes flowers to attract the eye and enhance the flavor.
The Vista meets us with the juxtaposition that either we are very large or we are very small.
But the juxtaposition itself of our size also juxtaposes the detail that we see.
We can feel that we ourselves are as detailed and as expansive as what we are seeing.
That we have a choice: to ponder-in-awe, or shrink-back-in-fear.
The artist hopes to inspire awe and the feeling of adventure.
The artist hopes his work will inspire new vistas.
Title: (Working title) None
(The alt text for the sight impaired:)
There is a human left hand, of a male, hovering over a print of black and white.
Hovering over what looks like a vista, but one that has never been seen before, by human eyes.
The Vista is much larger than the largest stadium anywhere on the Earth.
The 'eye' questions whether or not, if in fact, this vista is a very small place, magnified very large.
Horizon line is visible at the bottom 2/3 of the image.
Beyond the horizon is gray, like a cloudless sky.
There is no ground at all but what looks like shards or plates of ceramic with ornamental flowers in three dimensions that extend from the plates surfaces.
Hundreds of thousands if not millions of plates lined up in rows extending out to where infinity touches the horizon.
There is no surface we must be hovering ourselves inside the image.
Looking down the plates beneath our feet look like they are merely the tips of very tall mountains and that we are a thousand feet above them.
Above us is a shape that has no equal in normal life.
The shape appears to be blades, curved like the wings of a butterfly opening towards us.
And behind that row of bladed wings is another row, and behind that another row, and behind that another row.
Maybe we are underneath a large machine whose purpose is similar to a lawn mower of some kind.
But there are so many blades...and each one is ordained by a flower-like shape in 3D, extruded similar to the frosting that is applied to a wedding cake and shapes flowers to attract the eye and enhance the flavor.
The Vista meets us with the juxtaposition that either we are very large or we are very small.
But the juxtaposition itself of our size also juxtaposes the detail that we see.
We can feel that we ourselves are as detailed and as expansive as what we are seeing.
That we have a choice: to ponder-in-awe, or shrink-back-in-fear.
The artist hopes to inspire awe and the feeling of adventure.
The artist hopes his work will inspire new vistas.
Adriel Jeremiah Wool
